1721-82 German painter of Polish descent. She was taught by her father, the portrait painter Georg Lisiewski (1674-1751), and received further training from Antoine Pesne in Paris. She worked for Charles-Eugene, Count of W?rttemberg, in Stuttgart from 1761 to 1762, and for Charles Theodore Wittelsbach, Elector Palatine of the Rhine, in Mannheim from 1763 to 1764. In 1765 she returned, via Stuttgart and Hohenzollern-Hechingen, to Paris, where in 1767 she became a member of the Academie Royale. She met Denis Diderot and Philipp Hackert, both of whom she painted, and Charles-Nicolas Cochin , but, despite consistent support from Prince Galitsyn, she was unable to establish herself in Paris. In 1769 she returned to Berlin where she received commissions for mythological paintings (e.g. Diana and her Nymphs, 1771; Potsdam, Neues Pal.) from Frederick II, King of Prussia. She painted portraits of members of the Prussian court, and the Berlin bourgeoisie, and in 1773 was commissioned by Catherine II, Empress of Russia, to paint a portrait of the Prussian royal family.  Related Paintings of anna dorothea therbusch :. | Friedrich II | Self portrait with monocle | Portrait of Wilhelmine Encke | Self-portrait with monocle | Henriette Herz by Anna Dorothea Lisiewska |
Related Artists:
CARRACCI, Agostino
Italian Baroque Era Painter, 1557-1602 Painter, engraver and draughtsman, cousin of Ludovico Carracci. He abandoned his profession as a tailor, which was also that of his father, Antonio, and began training as a painter. According to Faberi, he studied first in the workshop of the painter Prospero Fontana (like Ludovico), then trained under the engraver and architect Domenico Tibaldi and under the sculptor Alessandro Menganti (1531-c. 1594). However, it is likely that Faberi's account was influenced by his desire to present Agostino's career as an example of the versatile 'cursus studiorum' advocated by the Accademia degli Incamminati. Other sources (Mancini, Malvasia, Bellori) agree that it was his cousin Ludovico who was responsible for directing him towards painting.
Abraham Storck
Abraham Storck (or Sturckenburch) (bapt. April 17, 1644 - buried April 8, 1708), was a Dutch landscape and maritime painter of the Baroque era. Storck was born and died in Amsterdam, and came from a family of painters of the same name. He had a painter's studio in Amsterdam producing naval and harbor scenes as well as landscape paintings. He was influenced by the two Willem van de Veldes (the elder and the younger) and by Jan Abrahamsz Beerstraaten.
Hans Jorgen Hammer
(29 December 1815, Copenhagen - 28 Januar 1882, Rome) was a Danish artist who specialized in genre painting. Following an apprenticeship with J.G. Berg in Copenhagen, Hammer was admitted to the Danish Academy in 1828. In 1841, he became a student of Christoffer Wilhelm Eckersberg who remained a close friend. He was awarded the Academy's little silver medal in 1842 and the large silver medal the following year. Det sidste Læs, his entry for the Neuhausen Prize in 1845, was bought by Statens Museum for Kunst but it was not until 1837 that he was awarded the prize with Bønder forsamlede til Lystig­hed en Søndag Eftermiddag under aaben Himmel. Hammer was an industrious but rather serious and thoughtful artist. His avid approach to detail slowed down his work considerably. After the outbreak of war in 1848, he became a naval officer. With a stipendium from the Academy, he travelled to Italy in 1857 where he painted Torvet i Ariccia efter Solnedgang, considerably enhancing his reputation in Denmark. The painting was acquired by Statens Museum for Kunst in 1863. Other notable works are Axsamlersken (1866) and Postbudet med det længe ventede Brev (1877). After recovering from a serious illness, he travelled to Rome in 1881 but died there the following year